He served as professor of composition at the École Normale de Musique de Paris from 1961 to 1970. In 1942, he conducted the choir of the Paris Opera.ĭutilleux worked as Head of Music Production for Radio France from 1945 to 1963. He worked for a year as a medical orderly in the army and returned to Paris in 1940, where he worked as a pianist, arranger and music teacher. There, between 19, he attended the classes of Jean and Noël Gallon (harmony and counterpoint, in which he won joint first prize with the cellist Paul Tortelier), Henri Büsser (composition) and Maurice Emmanuel (history of music).ĭutilleux won the Prix de Rome in 1938 for his cantata L'anneau du roi but did not complete his entire residency in Rome due to the outbreak of World War II. He studied harmony, counterpoint, and piano with Victor Gallois at the Douai Conservatoire before leaving for the Conservatoire de Paris. He was also a cousin of the mathematician Jean-Louis Koszul. He was the great-grandson of the painter Constant Dutilleux and grandson of the composer Julien Koszul. Henri Dutilleux was born on 22 January 1916 in Angers, Maine-et-Loire. But his voice, marked by sensuously handled harmony and color, was his own." Between Olivier Messiaen and Pierre Boulez in age, he was little affected by either, though he took an interest in their work. Dutilleux’s position in French music was proudly solitary. When describing him, the music critic Paul Griffiths wrote that "Mr. He also taught at the École Normale de Musique de Paris and at the Conservatoire National Supérieur de Musique, and was twice composer in residence at the Tanglewood Music Center in Lenox, Massachusetts.Īmong Dutilleux's many awards and honours were the Grand Prix de Rome (1938) and the Ernst von Siemens Music Prize (2005). In addition to composing, he worked as the Head of Music Production for Radio France for 18 years. Works were commissioned from him by such major artists as Charles Munch, George Szell, Mstislav Rostropovich, the Juilliard String Quartet, Isaac Stern, Paul Sacher, Anne-Sophie Mutter, Simon Rattle, Renée Fleming, and Seiji Ozawa. ("A whole distant world") and violin, L'arbre des songes ("The tree of dreams") a string quartet known as Ainsi la nuit ("Thus the night") and two symphonies: No. Among his best known works are his early Flute Sonatine and Piano Sonata concertos for cello, Tout un monde lointain. Among the leading French composers of his time, his work was rooted in the Impressionistic style of Debussy and Ravel, but in an idiosyncratic, individual style.
Trois strophes sur le nom de Sacher.Henri Paul Julien Dutilleux ( French: 22 January 1916 – ) was a French composer of late 20th-century classical music. Included work Container of: Bach, Johann Sebastian.
#3 strophes sur le nom de sacher henri dutilleux analysis free#
With its modal colors and polytonal chords, Dutilleux's Trois Strophes sur le nom de Sacher (1976-1982) are free in form and rhetoric, giving the impression of being improvised. 3 in C Major was composed during one of his most productive periods of instrumental music composition (1717-1723) while working as Kapellmeister at Prince Leopold's court of Anhalt-Köthen. Cheerful and dancing, Bach's Cello Suite No. The three works on this concert's program highlight the cello's polyphonic capabilities. 3 in C Major and Henri Dutilleux's Trois Strophes sur le nom de Sacher at the Fondation Louis Vuitton.
Here he gives a recital featuring Bach's Solo Cello Suite No. In the past year, cellist Victor Julien-Laferrière has shot to the top of the classic music scene, winning the "instrumental soloist" category at the last French Victoires de la Musique Classique and the first prize at the Queen Elisabeth Competition.
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